Visual identity and web design for Lisa Marie Zander. We developed a dynamic portfolio website showcasing her multifaceted work in design, architecture, city development, research and teaching. The site is a list-based catalog of Lisa’s many projects and it is accompanied by alternating neon yellow backgrounds, merging the worlds of tables in a unique visual language. Someone said it looked like „Suhrkamp 70er Jahre ironisch“.
Medium: Portfolio Website > lisazander.com Category: Design + Architecture + Teaching Clients: Lisa Marie Zander Year: 2023Content management system: WordPress Typeface: SpaceGrotesk Special features: lists
Visual identity and web design for micimo. The IT company specializes in the continuous and sustainable development of software projects. Its 3 core themes are represented by animated infographics. All graphic ornaments and animation elements on the website are made from logo elements. The website’s unique feature is its desaturated ‚foresty‘ colours, which set it apart from classic IT companies. The aim of the self-coded website was to create a lightweight, simple and dynamic website.
Medium: Website > micimo.de Category: IT Clients: micimo GmbH Year: 2023 Typeface: HK Grotesk Special features: self-coded, lightweight, green
THIS IS A WARMING – 366 adjectives and 52 postcards for 2024
With our new calendar design 2024 will be full of adjectives, neon colours and loudly warming (or loudly warning?) designs. For the ninth edition of the KLASS calendar, we created a monthly calendar in which every single day of the year is accompanied by an adjective and each month consists of four postcards that are typo-graphically designed around these words. The printing was realised by the Hamburg printing company Reset St. Pauli (thank you for the great cooperation!). Multi purpose >> for the wall to hang up or for the table to put up, to tear off and reuse, for neon fans and for postcard lovers.
Medium: Calendar Category: Personal Title: THIS IS A WARMING – 366 Adjektive für ein brutal hoffungsvolles 2024 Year: 2024 Format: 450x250mm / 100x150mm Pages: 13 Pages, 52 motif cards Special features: Offset print with 5 neon special colors & perforated pages
The star element of the website, around which everything dances, is the staircase menu. On the website of choreographer, dancer and dance educator Nora Elberfeld, it takes up a constant amount of white space and creates a pleasant break. Together with the elegant strong typeface we designed a bright and joyful color palette that adds identity to the individual content and pages of the website.
Medium: Website > noraelberfeld.com Category: Arts and culture Client: Nora Eberfeld Year: 2023 Content management system: WordPress Typeface: Ortica Special features: elegant, portfolio, responsive, dancing menu
Ideologically in line with our view of politics, we develop various print products for „filia- Die Frauenstiftung„. These include an ongoing series of feminist riso-cards. filia’s mission is to provide funds and canalize money and transform it into activities organized by women and girls for women and girls. Their goal is: Change, not Charity – social change, not welfare!
Media: fundraise postcards, reports, books Category: Arts and culture Client: filia – die frauenstifutung Year: 2022 – ongoing
In the self-proclaimed Billhorner Platz, an interesting intersection in Rothenburgsort, „Projektbüro“ investigate the place and the effects of the Corona pandemic on the city through various actions and test games. These actions are each announced through posters and flyers and then summarized and reflected in booklets. A a constantly growing website accompanies the project almost in real time.
Media: CI, signage, posters, booklets, magazine Category: Architecture and urban planning Client: Projektbüro Title: Billhorner Platz Year: 2022 – ongoing Typeface: Work Sans Installation photos by Lukas Engelhardt
The portfolio website for the performance artist and artistic duo rykena/jüngst, inspired by the appearance of a simple Tumblr blog, is striking in its simplicity and celan aesthetic. Behind the simplicity lays a well coded seamless, smooth navigation between portfolio elements and their contents.
Medium: Website > rykenajuengst.com Category: Arts and culture Client: rykena / juengst Year: 2023 Content management system: kirby Typeface: Acumin Web development: menschmaschine Special features: minimal, portfolio, responsive
„Was Plattenhänder:innen können, können nur Plattenhänder:innen“. We designed a playful corporate design for Hanseplatte, the most popular record store in Hamburg. As a new store signage we have designed a circular text layer that covers both sides of the store front. A static ticker.
Media: CI, riso-business cards, signage, stamps Category: Music, trade and craft Client: Hanseplatte Year: 2022 Typeface: HK Grotesk
For the Vereinigte Bühnen Bozen and its new artistic direction, we developed redesign. The core concept behind the new appearance is a typographic, welcoming gesture into the theater „KOMM INS THEATER!“. The design is nearly entirely typographic, which highlights the emphasis on language and spoken theater. It is bold, wild, and friendly with a strong cultural connection.
Using a flexible, moving Logo that takes inspiration from the rows of seats in a traditional amphitheater, Vereinigte Bühnen Bozen always takes up the space it needs on the different product formats.
Media: CI, website, posters, flyers, magazine, business cards, signage Category: Arts and culture Client: Vereinigte Bühnen Bozen, Rudolf Frey Year: 2023 Typeface: Good Sans, Chapter See also: Booklets
Spoken Dance is a research project on artistic audio description in contemporary dance. Audio description in dance is the verbal description of movements, bodies, situations and everything that happens on stage.
The website we designed for this purpose is technically and stylistically created for people with visual disabilities or impairments. The focus here is on optimal machine readability. As a special feature the colours of the website can be inverted, which can be an advantage for certain visual impairments. The font used, Atkinson hyperlegible, was also created for visually impaired people: The letters and numbers can be easily recognised and distinguished from each other. The light pink background colour is a minimal colour accent in the otherwise absolutely user-optimised, typographic website. (In cooperation with menschmaschine)
Medium: Website > spokendance.com Category: Arts and culture Clients: Carolin Jüngst, Ursina Tossi und Lisa Rykena Year: 2022 Content management system: Kirby Web development: menschmaschine Typeface: Atkinson Hyperlegible Special features: research project, audiodescription, accessible website
60 years of company history collected in a retrospective book. The book outlines the story of the company since 1962 and that of its employees, but also facts about inventions or a short outlook into the future. The design of the book is very individual. It is divided into 8 chapters, for each we have developed an own customised design concept. A range of print finishes make the book a pleasant, tactile object.
Medium: Book Category: Building industry Client: Schöck Bauteile Title: Zeitsprünge / Time Leaps Editor: Schöck Bauteile Publisher: Gesellschaft für Knowhow-Transfer in Architektur und Bauwesen Year: 2022 Format: 210x280mm Pages: 128 Typeface: Corpid Schoeck Special features: Hardcover with two-colour woven linen binding, embossing, folded banderole and coloured book edge See also: Schöck – Poesie & Technik; Schöck – Verbinden & Trennen
For more than 60 years, the Schöck company has been developing components that are used in architecture in the most diverse ways, technology that stands in the background. The publication „Poesie & Technik“ (Poetry & Technology) now shows contemporary architecture in the context of the components developed by Schöck. The book design lives from the concept of the title: hand drawings meet technical construction plans and illustrations. The chapters are each introduced by a match of drawing vs. plan, positive vs. negative combined with separator pages in a shorter page format.
Medium: Book Category: Building industry Client: Schöck Bauteile Title: Poesie & Technik / Poetry & Technology Editor: Schöck Bauteile Publisher: Gesellschaft für Knowhow-Transfer in Architektur und Bauwesen Year: 2022 Format: 210mmx280mm Pages: 144 Typeface: Corpid Schoeck Special features: Softcover with flaps, embossing and coated finish, inside pages in two different formats See also: Schöck – Zeitsprünge; Schoeck – Verbinden & Trennen
The Schöck company develops building components that are used in a wide variety of ways in architecture, technology that stands in the background. A central product from this range is presented and explained in this brochure, accompanied by architectural reference examples or voices on the product from architects. The design is light, classy and simple and based on a generous use of typography and an elaborate mixture of materials used.
Medium: Booklet Category: Building industry Client: Schöck Bauteile Title: Verbinden & Trennen Publisher: Gesellschaft für Knowhow-Transfer in Architektur und Bauwesen Year: 2021 Format: 210x280mm Pages: 20 Typeface: Corpid Schöck Special features: Cover from grey cardboard with flaps, silk screen and embossing See also: Schöck – Poesie & Technik; Schöck – Zeitsprünge
The Old Town Coast revives and blossoms! The interdisciplinary initiative „Altstadtküste“ (Old Town Coast) focuses on Hamburg’s historic old town centre, its special conditions and challenges as well as its hidden potentials with regard to a liveable, green and socially just city. For the Altstadtküstenfest 2021, we developed a shimmering visual that is reminiscent of water and islands; surfaces overlap and are recombined for different media such as programme posters or programme flyers. In 2022, the colour in the visual grows out of itself. (In cooperation with Franziska Opel)
Media: CI, website, flyer, poster, stage banner, social media graphics Category: Public and municipal Client: Reallabor Altstadtküste Title: Die Altstadtküste lebt auf / Die Altstadtküste blüht auf Year: 2021 & 2022 Typeface: Engravers Gothic, HK Grotesk See also:altstadtkueste.de
Over a period of two years, a group of Hamburg architects and urban planners explored the topic „wideness“ in the city and collected places in Hamburg where one can experience wideness as a complementary element to urban density and the feeling of narrowness. The „Atlas der Weite“ collects these places and analyses them according to certain criteria. It is conceived and designed as a loose collection of sheets in a linen-covered folder that can be expanded with new „Weite“ places at any time. The oversized A2 landscape format and the large-format photographs make the places experienceable and make the turning of the pages into a physical act. The atlas currently exists only once as a high-quality exhibition copy, but it is also available digitally. (Photography: Martin Kunze)
Medium: Folder Category: Architecture and urban planning Client: Hamburgische Architektenkammer Title: Atlas der Weite Publisher: Hamburgische Architektenkammer Year: 2020–2022 Format: 420x594mm Pages: 52 Typeface: HK Grotesk Special features: Customised linen-covered folder with embossing
Medium: Calendar Category: Personal Title: ok, and now? Year: 2023 Format: 210x295mm / 295x420mm Pages: 28 Special features: Risography printing in 5 colours, collaborative work See also: shop the calendar on slanted
The Artist Günter Wintgens approached us with a collection of his weight he is been writing down for years in a daily routine. He asked us to turn this collection into something tangible and making it experienceable to an audience. We designed the website seenbetweentwounseens.net on which the daily weight is shown. The background opacity and font-weight reflects the weight in relation to the last ten days. A constant weight results in a regular font with a white background. PS: Take a look into the console to find some more informations…
Medium: Website > seenbetweentwounseens.net Category: Arts and culture Client: Günter Wintgens Year: 2022 Typeface: Switzer-Variable Special features: variable font, dynamic backgorund, artwork, responsive,
The artist’s book ‚Mukunda in Papakú – Land under the Sea‚ was designed in close cooperation with the artist Günter Wintgens and the author Susanne Koheil. The large and narrow format is used on 80 pages with bright special colours and large typography to tell the children’s story of Mukunda. In addition, each book contains an individual original graphic.
Medium: Book Category: Arts and culture Client: Susanne Koheil & Günter Wintgens Title: Mukunda in Papagú – Land unter dem Meer Publisher: Susanne Koheil Year: 2021 Format: 210x340mm Pages: 80 Typeface: Sporting Grotesque & Caslon Special features: Offset printing with six colours, screen printed cover, duotone book linen
„Dabei statt nur dafür“ means participating instead of just being there wich was the motto of the three-day democracy festival Spandau 2021. The design of all festival media is composed of a modular key visual: cut-out photo elements – hands gesticulating or mouths grimacing – are held together by a coloured dot grid. For the design of the individual media, the elements are repeatedly varied and recombined to create a lively, varied design.
Media: CI, various flyers, poster, t shirts, stage banner, wristband, social media graphics Category: Public and municipal Client: Partnerschaft für Demokratie Spandau Title: Demokratiefestival Spandau 2021 Year: 2021 Typeface: HK Grotesk See also:www.demokratiefestival-spandau.de